Oil On Canvas, Real Flavor of Old Masters

All HEYDEN, Jan van der 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
29243  
A Fortified Castle on a Riverbank, HEYDEN, Jan van der
  		 A Fortified Castle on a Riverbank   mk65 Oil on panel 18x25 1/2"
44412  
Amsterdam, Dam Square with the Town Hall and the Nieuwe Kerk, HEYDEN, Jan van der
  		 Amsterdam, Dam Square with the Town Hall and the Nieuwe Kerk   1667 Oil on canvas, 85 x 92 cm
7476  
Amsterdam, Dam Square with the Town Hall and the Nieuwe Kerk s, HEYDEN, Jan van der
  		 Amsterdam, Dam Square with the Town Hall and the Nieuwe Kerk s   1667 Oil on canvas, 85 x 92 cm Galleria degli Uffizi, Florence
43531  
Approach to the Town of Veere, HEYDEN, Jan van der
  		 Approach to the Town of Veere   1651-1700 c. 1665 Oil on panel, 45,7 x 55,9 cm
7478  
Approach to the Town of Veere af, HEYDEN, Jan van der
  		 Approach to the Town of Veere af   c. 1665 Oil on panel, 45,7 x 55,9 cm Royal Collection, London
32346  
Dam Square, Amsterdam, HEYDEN, Jan van der
  		 Dam Square, Amsterdam   c. 1668 Oil on canvas
32353  
proach to the Town of Veere, HEYDEN, Jan van der
  		 proach to the Town of Veere   c. 1665 Oil on panel, 45,7 x 55,9 cm
32351  
Still-life with Rarities, HEYDEN, Jan van der
  		 Still-life with Rarities   1712 Oil on canvas, 74 x 63,5 cm
32347  
The Martelaarsgracht in Amsterdam, HEYDEN, Jan van der
  		 The Martelaarsgracht in Amsterdam   c. 1670 Oil on wood, 44 x 57,5 cm
63078  
The New Town Hall in Amsterdam after, HEYDEN, Jan van der
  		 The New Town Hall in Amsterdam after   1652 Oil on canvas, 73 x 86 cm Musee du Louvre, Paris This is the second version of the same subject that he completed shortly after the first painting. (The first is in the Galleria degli Uffizi, Florence.) Here the viewpoint is somewhat further to the right and the perspective is different; the foreshortening of the Town Hall's fa?ade is less pronounced, and the lantern's distortion - too strong in the first version - has been corrected. Artist: HEYDEN, Jan van der Painting Title: The New Town Hall in Amsterdam , 1651-1700 Painting Style: Dutch , , landscape
7477  
The New Town Hall in Amsterdam sf, HEYDEN, Jan van der
  		 The New Town Hall in Amsterdam sf   after 1652 Oil on canvas, 73 x 86 cm Mus??e du Louvre, Paris
51030  
View of a Bridge, HEYDEN, Jan van der
  		 View of a Bridge   Oil on panel, 24 x 31 cm
7479  
View of a Bridge sg, HEYDEN, Jan van der
  		 View of a Bridge sg   Oil on panel, 24 x 31 cm Koninklijk Museum voor Schone Kunsten, Antwerp
43532  
View of Delft, HEYDEN, Jan van der
  		 View of Delft   1651-1700 Oil on wood 55 x 71 cm Institute of Arts,
7480  
View of Delft sg, HEYDEN, Jan van der
  		 View of Delft sg   Oil on wood, 55 x 71 cm Institute of Arts, Detroit
32354  
View of the Herengracht, Amsterdam, HEYDEN, Jan van der
  		 View of the Herengracht, Amsterdam   c. 1670 Oil on canvas
7481  
View of the Herengracht, Amsterdam sf, HEYDEN, Jan van der
  		 View of the Herengracht, Amsterdam sf   c. 1670 Oil on canvas Private collection
32355  
View of the Westerkerk, Amsterdam, HEYDEN, Jan van der
  		 View of the Westerkerk, Amsterdam   c. 1660 Oil on oak, 91 x 114 cm
32356  
View of the Westerkerk, Amsterdam, HEYDEN, Jan van der
  		 View of the Westerkerk, Amsterdam   1670s Oil on panel, 41 x 59 cm
7483  
View of the Westerkerk, Amsterdam sf, HEYDEN, Jan van der
  		 View of the Westerkerk, Amsterdam sf   1670s Oil on panel, 41 x 59 cm Wallace Collection, London
7482  
View of the Westerkerk, Amsterdam f, HEYDEN, Jan van der
  		 View of the Westerkerk, Amsterdam f   c. 1660 Oil on oak, 91 x 114 cm National Gallery, London
HEYDEN, Jan van der
Dutch Baroque Era Painter, 1637-1712 Dutch painter, draughtsman, printmaker and inventor. In 1650 he moved to Amsterdam with his family; his father, a Mennonite, who had pursued various occupations rather unsuccessfully, died that year. Jan's artistic training may have begun with drawing lessons in the studio of a relative, perhaps his eldest brother, Goris van der Heyden, who made and sold mirrors; Jan may also have studied the reverse technique of glass painting with an artist in Gorinchem. Painting occupied relatively little of his time, however, although he continued to pursue it throughout his long life. His prosperity was mainly due to his work as an inventor, engineer and municipal official. He designed and implemented a comprehensive street-lighting scheme for Amsterdam, which lasted from 1669 until 1840 and was adopted as a model by many other towns in the Netherlands and abroad. In 1672,



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